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|Admitting an Attraction: Colonial Villainy, Visuality, and The Handmaiden (2016) as Critique|
|International Journal of Korean History. 2020;25(2):175-188. Published online 2020 August 30 DOI: https://doi.org/10.22372/ijkh.2020.25.2.175|
Admitting an Attraction: Colonial Villainy, Visuality, and The Handmaiden (2016) as Critique
Cultural Critique and Cultural Policy: Handmaiden or No Relation?
Anthropology, Handmaiden of History?
Introduction: A Post-Colonial Critique of Capital Accumulation Today
Colonial and Counter-Colonial Discourse in Melanesia
Self-Deception as the Handmaiden of Evil
From Victorian England to Colonial Korea: Desire and Subversion in Chan-wook Park’s Ah-ga-ssi (The Handmaiden)
The Coups in Fiji: Colonial Contradictions and the Post-Colonial Crisis
Language and Visuality of the Mentally Ill
Spatial Invasions and Melodrama’s Narrative Structure: Innocence, Villainy, and Vigilance in Girlhood
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