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| Admitting an Attraction: Colonial Villainy, Visuality, and The Handmaiden (2016) as Critique |
| Keungyoon Bae |
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International Journal of Korean History. 2020;25(2):175-188. Published online 2020 August 30 DOI: https://doi.org/10.22372/ijkh.2020.25.2.175
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