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Admitting an Attraction: Colonial Villainy, Visuality, and The Handmaiden (2016) as Critique |
Keungyoon Bae |
International Journal of Korean History. 2020;25(2):175-188. Published online 2020 August 30 DOI: https://doi.org/10.22372/ijkh.2020.25.2.175 |
Admitting an Attraction: Colonial Villainy, Visuality, and <i>The Handmaiden</i> (2016) as Critique Anthropology, Handmaiden of History? ‘We Were the Others’: Visuality in Colonial Writings Cultural Critique and Cultural Policy: Handmaiden or No Relation? From Victorian England to Colonial Korea: Desire and Subversion in Chan-wook Park’s Ah-ga-ssi (The Handmaiden) Desiring Empire: The Colonial Violence of “Hijab Pornography” Introduction: A Post-Colonial Critique of Capital Accumulation Today Colonial “Idea” and “Work”: The Evil in Marlow’s Heart of Darkness Colonial and Counter-Colonial Discourse in Melanesia The Coups in Fiji: Colonial Contradictions and the Post-Colonial Crisis |
This metadata service is kindly provided by CrossRef from May 29, 2014. Int J Korean Hist has participated in CrossRef Text and Data Mining service since March 1, 2015. |