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|Admitting an Attraction: Colonial Villainy, Visuality, and The Handmaiden (2016) as Critique|
|International Journal of Korean History. 2020;25(2):175-188. Published online 2020 August 30 DOI: https://doi.org/10.22372/ijkh.2020.25.2.175|
Admitting an Attraction: Colonial Villainy, Visuality, and <i>The Handmaiden</i> (2016) as Critique
Anthropology, Handmaiden of History?
‘We Were the Others’: Visuality in Colonial Writings
Cultural Critique and Cultural Policy: Handmaiden or No Relation?
From Victorian England to Colonial Korea: Desire and Subversion in Chan-wook Park’s Ah-ga-ssi (The Handmaiden)
Desiring Empire: The Colonial Violence of “Hijab Pornography”
Introduction: A Post-Colonial Critique of Capital Accumulation Today
Colonial “Idea” and “Work”: The Evil in Marlow’s Heart of Darkness
Colonial and Counter-Colonial Discourse in Melanesia
The Coups in Fiji: Colonial Contradictions and the Post-Colonial Crisis
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