International Journal of Korean History10.22372/ijkh.2018.23.1.1232018231123-140Hawaii, Cannes, and Los Angeles: Projecting South Korean Cinema to the WorldSangjoon Lee,,
Rural Cinema Exhibition and Audiences in a Global Context10.1007/978-3-319-66344-9_112018187-202Projecting Modernity: Sol Plaatje’s Touring Cinema Exhibition in 1920s South AfricaJacqueline Maingard
World Cinema and the Visual Arts10.7135/upo9781843313861.00320121-18Projecting a More Habitable Globe: Hollywood's Yellow Peril and Its Refraction onto 1930s Shanghai National CinemaLily Wong
Film-Philosophy10.3366/film.2017.00372017211142-145Patricia White (2015) Women's Cinema, World Cinema: Projecting Contemporary FeminismsJudith Rifeser
Media International Australia10.1177/1329878x17710385p20171631190-191Book Review: Women’s Cinema, World Cinema: Projecting Contemporary FeminismsWhitney Monaghan,,
European Journal of Women's Studies10.1177/1350506816665724a2016234463-466Book review: Women’s Cinema, World Cinema: Projecting Contemporary FeminismsDijana Jelača,,
Narco Cinema10.1057/9781137489241_62015157-163Postscript: From Culiacán to CannesRyan Rashotte
Sovereign Violence10.1017/9789048523016.0072016241-278Global Cinema in the Age of Posthumanity
Race & Class10.1177/0306396885027001091985271101-103Book reviews : Pau Hana: plantation life and labor in Hawaii, 1835-1920 By RONALD TAKAKI (Honolulu, University of Hawaii Press, 1983). 213 pp. Ganbatte: sixty-year struggle of a Kibei worker By KARL YONEDA (Los Angeles, Asian American Studies Center, University of California, Los Angeles, 1983). 244 pp. $8.95Louis Kushnick,
Sovereign Violence10.1017/9789048523016.0102016307-316Bibliography